Site specific
FM silence
It is a site specific performance developed during the artistic residency of IFA International Festival Academy at Inteatro and presented at the Festival Villa Nappi 2012.
Only by perceiving and experiencing the silence you can meet the other's vibrations.Intimate and domestic environment, but at the same time mysterious, an empty house, a body motionless and silent try to tune, such as a radio, on different frequencies - spatial, temporal, rhythmic, real, unreal - to find the best ways of meeting with the public. A journey into the black, into the void, into the skin, in the silence, in the night, in the dark to be invisible, imperceptible but present, breath.
"It is inevitable that between them arises a silent dialogue, which has the same iridescent sea, where both decided to disappear”. Inoue Yasushi
Concept and choreography Lovreglio Alessia
Performers Alessia Lovreglio, Lara Russo, Maria Theodosiou, Edward Wilson
Set design and scenic development Alessia Lovreglio, Amelia Prazak, Irina Kondrashova
Zona 3
performance body, sound, design
Dance Vga Group Alessia Lovreglio, Claudia Gesmundo, Alessandra Gaeta
Music Roberto Piccirilli
Waiting - Installation Ifa Inteatro 2012
Zona 3 is a performance that allows three different arts to interact and question the word body meant as an artistic body, as sound, as imagination. Zona 3 is reached to deform and form bodies. The focus of this performative action is to outline three different bodily and visual themes in unison in a temporal suspension. At one time, in a place and in a space other than the frenzy, in Zona 3 it is possible to recover and find. Three different languages, three different frames that create a single visionary deformation to look from the inside through an external eye.
Zona 3 has been Presented on the 21st October 2017 at XIV Edition Open Dance Teatro Koreja, Cantieri Teatrali Koreja, Lecce
http://www.teatrokoreja.it/koreja/rassegne.php?actionToDo=showEventSheet&eventID=1025
Also on 10th July 2017 with the musician Roberto Matarrese at Festival Cinema e Letteratura del racconto il Film in Polignano a Mare (Bari, Italy)
The VGA Group founded by dancing authors Alessia Lovreglio, Alesandra Gaeta, Claudia Gesmundo in March 2017 intends to explore through the body language new creative processes with video technologies and site-specific. It uses the collaboration of the musicians Marialuisa Capurso, Roberto Matarrese, Roberto Piccirilli and the artist Grazia Salierno. Self-portraits plugged in by Alessia Lovreglio and Zona 3 are their first creations.
To see the dance research group page click on the link below
https://www.facebook.com/danceresearchgroup/
Al13
performance of sound and action
Presented as a street performance at Space Lab/Zlomvaz Festival of PQ 2015 Prague Quadriennal of Performance Design and space Al13 is a performance of dance, material and voice, which focuses on the liquid identity of the individual in the continuous metamorphosis of reality. Unexpected wind of metallic storm will intoxicate the body, which like in Revolution will find its freedom expressing the human voice, in moments of suspension, spirals, flight and fall.A Dreamscape of metal and freedom.
Author, Choreographer: Alessia Lovreglio
Performers: Alessia Lovreglio (Dance), Marialuisa Capurso (Music)
Custom Design by Tolga Gündoğdu, Edward Wilson, Alessia Lovreglio
migrar?
dance performance
site specific versions
Contagi Festival 2017, Bari
Vernissage Art exhibition Astrazione dal mare, 54Arte Contemporanea Gallery, Sala dei Templari, Molfetta (Bari) 2017
“migrar?” is a piece of dance theater, focused on the theme of migration.
Presented in a different site-specific version at the U zlateho gallery in Prague,
on the occasion of the opening of an exhibition about the time, the journey and its transformations,
the new performance is structured in three parts:
the journey through the sea; what remains of the journey into the soul like an echo; the memories of the past life and crossed in the choice of travel as a maze of thoughts: the roots. A single performer on stage to testify from within the difficulty of passing as an individual choice, personal, authentic in a perspective made of sensitivity and emotion, with a veiled poetic participation linked to memories, dreams and the unexpected fate.
Few objects in scene, one of which is an integral part of the trip and also stage costume and scene processing reason to move there: the plastic, fragile, durable, vehicle of dynamics and transport, like the sea. A silence almost deafening at times, breaks into the scene, alienating, confusing, listening for the audience of an introspective reflection toward their trip, anywhere else, past, present.
The scenes follow one another as if the performer went into different rooms of his past, as if crossed slides of his own reality, as if was going through reliving the memories. The performance was born from a moment of reflection on a personal experience of immigration, including bureaucratic choices and difficulties, aims to create a bridge with the audience in a sensitive and deep reflection, that is by the ferocity of the TV news images or words of magazines.
Director's Notes "I'm here in a dark room and yet I feel the roots move in like waves. I do not know where I will be transported, if I come again. As I have to leave. Meanwhile, I continue to travel on the lunar hammock, on rails of dreams and uncertainty " Adaptable to conventional theater spaces and not, internal and external.
Concept Dance And Choreography Alessia Lovreglio
Music L'étoile de mer, Francesco Massaro from the album Bestiario Marino
to watch the trailer click here: https://vimeo.com/204172033
Ode to Blank
performance of dance and voice
StrArte Festival 2017, Giovinazzo (Bari)
The space between the body and the voice in continuous transformation reveals itself dissolving in a moment of suspension, moment in which everything goes into a mysterious elsewhere outside of time, present / absent, perceptible in its being invisible. Bodily impressions are joined in a crescendo of sound silent breaths, up to join in a unique rhythmic moment.
Concept and performance Alessia Lovreglio (dance) Marialuisa Capurso (voice and sound)
Caprices on the road
Yesterday I stopped killing myself
Caprices on the road, a site specific performance realized at and for the Festival Kura in Kutna Hora (Czech Republic)
It consists in a series of actions starting from the listening of the space, which focus on the research of a dreamscape from the reality of the daily life and its rhythm. When you feel lost and frozen as a statue your eyes wake up and begins a new dream. What would it be yours?
Site specific performance presented at the gallery A&A in Prague 2015.
It is a journey into the women identity and the active changing role in the society.
The starting point of the research is the figure of Ophelia seen through the text The Europe Of The Woman from The Hamletmachine by Heiner Mueller, 1979
The key word of the piece is transformation. Transformation of the body into the space, the space through the body and the body/space into and through situations and emotions. The artistic research line of the group moves on a triple performative inter- active identity body-other-space and on the Grotowski method of the statues.
Credits
Concept and Choreography Alessia Lovreglio
Performers Anna Paola Desiderio, Lucie Klosová, Žubra Žubretovská, Petra Lamačová
Voices and sound Marialuisa Capurso
Consulting director Ida Kat Balslev
Reframing
site specific creation by Jacopo Jenna
for Festival LA DEMOCRAZIA DEL CORPO 2017
Compagnia Virgilio Sieni Cango
19 Ottobre 2017
Participation as a dancer with Anna Cheni Altobello, Lucia Mauri, Sara Monari, Aurelio Di Virgilio
Move to Listen / Assisted Solo
site specific creation by Albert Quesada for
Festival LA DEMOCRAZIA DEL CORPO 2017
Compagnia Virgilio Sieni Cango
15 Ottobre 2017
Participation as a dancer with Claudia Catarzi, Antonella Fittipaldi, Elena Zagaroli, Giovanni Impellizzieri, Matilde Bassetti, Emanuele Bettari, Marisa Fortebraccio, Aurelio Di Virgilio
Architetture invisibili
Site specific Dance research at Manifatture Knos, Lecce, Italy October 2017
Sunset
Ifa 2012, INteatro (Marche Teatri)
Waiting
Installation, Ifa, Inteatro 2012
L'urlo del mare
performance of dance, music and video
Unexpected waves "body water phonic" transmit by the skin of the sea the whisper of images of ecological disaster: between silent unbalance of waves and audible urban waste, the body draws the howl of protest marine environment, outlining the relationship of reality / virtuality - understood as the present outlook and future redemption hypotheses - the echo of questions silently for the public to solicit the collaboration to the restoration and preservation of this precious resource: the sea.
Presented and commissioned by Notte Bianca (White Night) 2010 in Bari and selected at MarteLive 2010 in Rome.
Credits
Idea Dance Alessia Lovreglio
Musica Domenico Lopez, Marialuisa Capurso
Video Beppe Gernone
National Water Dance Day 2018
Performance directed by Rachael Inman and danced by Local dance artists
at Jemison Park Birmingham Alabama
Have dance will travel, Summer tour with Sanspointe dance company 2018 Alabama
